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by Janet De Boer
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Sandals being made in Yvonne Twining’s Shoe workshop for CTA-F 2012, being repeated in 2013.
‘TAFTA’ (The Australian Forum for Textile Arts, Ltd.) has developed workshop-based events over the years as part of its brief to promote the textile arts. While this clearly sets the arts bias as ‘Textile’, this can be a very flexible term. The many workshops run by TAFTA over the years, under the umbrella of what is called the ‘TAFTA FORUM’, have reached out to include soft sculpture, drawing, jewellery, leatherwork – and fibre/textile of course.
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Woodblock print by Rosanna Jurisevic - Sleepy Harry
I’ve just spent a very pleasant four days learning about Japanese Woodblock Printing at Warringah Printmakers Studio In Manly Vale, NSW with Rosanna Jurisevic.
Warringah Printmakers Studio is a community based, non-profit organisation offering classes, workshops, studio access, regular exhibitions and a variety of exciting and innovative projects for artists with Studio membership.
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by Caroline Tang,
Wimmera Mail Times
26 September 2011
An inaugural Grampians Brushes workshop series was so popular that artists have booked their accommodation for next year.
Founder and co-ordinator Marion Matthews, a Wimmera artist said Grampians Brushes would be at Halls Gap again in 2012. Matthews said the scheduled dates for next year were September 8 – 13.
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Sculpture classes with Colin Fenn, a brief synopsis…
Sculptures after chasing and finishing
- Beginning with creating the sculpture by working directly in microcrystalline wax, (Victory Brown), a relatively soft carving/casting wax, the sculpture or model is created by removing and or adding wax to or from a basic form.
- This creative process can result in a simple ‘Brancusiesque’ style, illustrating clean abstract, sometimes rather geometrical forms or a more complex realistic animal, vegetable or human shape, which may include compound and sometimes intricate undercuts.
- The sculpture is refined in aspects of surface texture and detail and is for all intents and purposes ready to be taken to the foundry to be cast.
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Crisp clean winter's morn - Day 1 Photography camp- Image Annabel TullyBunginderry Artists Camp held a Photography workshop with Danielle Lancaster during May 2011.
Danielle offered a range of theory and practical tutorials during this four day retreat which was designed to encompass a wide range of photographic skills and to inspire you to take your creative image making to new levels while exploring the unique Channel Country.
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With frost on the lawn, Day 1 greets us with much anticipation of the day ahead. We have gone back to basics… for some it’s revision and others (like me) it’s completely new and overwhelming. Words like aperture, white balance, fast, slow, freeze and blurr…just to name a few… Danielle Lancaster eases the beginners into the new exciting world of photography and challenges the more experienced to push a little further.
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A rare breed, this one. A 'Dwarf Bouncing Dragon' from the treeless Plains near Bathurst NSW Australia.A rare breed, this one. A 'Dwarf Bouncing Dragon' from the treeless Plains near Bathurst NSW Australia.
discount viagra– renowned sculptor living in the Central West of NSW was guest tutor visiting Merilyn’s classes at her studio and also at Pigments and Palettes in Bathurst.
Colin loves creating interesting creatures and has a cheeky sense of humour.
Have a look at what he has to say about his creatures….all created using the lost wax method.
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During May this year Merilyn Rice’s students in Bathurst were given the opportunity to create a bronze sculpture using the lost wax method of bronze casting.
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Wendy Sharpe demonstrates sketching with chalkby Cindy Goode Milman
Three art friends made our way to the city for a Saturday Wendy Sharpe Master class organised by Simon at S. H. Ervin Gallery, part of the National Trust of Australia complex, held in conjunction with the survey exhibition of discount viagra.
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by Dr Jan Gardner PhD
I took the coast road and drove from Sydney to the beautiful rainforest property in Newee Creek (near Nambucca Heads). The accommodation was spacious and delightful. The food was fabulous. The hosts were friendly, caring and informative. The pottery was delightful.

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by Eleanor Brown
Drawing by Eleanor BrownFourteen people showed up to the idyllic park-land setting of the Ku-Ring-Gai Art Centre at Roseville, NSW for a week of life drawing. Paul Miller promised us hard work – and he wasn’t kidding!
Each day was different, we worked through a large range of media with different models and a variety of poses, sitting, standing, moving, lying down. Paul never let the pace slow down for a minute. There was a mixture of elementary exercises and more challenging ones so we could explore new methods of expression and to help each of us develop our own personal approach.
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by Cindy Goode Milman
Artwork by Jo BerryFive art friends disembarked Sydney for a trip to Cambewarra (near Berry, NSW) to experience an art retreat with artist Roxanne Taylor. The bed and breakfast was divine, not at all what we expected, a private cottage for two with three in the main house.
Our art class started with a morning Saturday lesson on using mediums – covering 300gsm water colour sheets with impasto (very thick and patterned), gel medium and sand (artist grade) as well as acid free tissue paper spilling inks and acrylic down the front, creating patterns of colour.
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Immerse yourself in the adventure of painting in the stunning surrounds of Byron Bay or get your hands dirty working with clay in an 19th Century carriage house in Surry Hills. Finish the day with a glass of wine and light supper contemplating your work with fellow artists. ArtWorkshops Australia is renowned for providing exceptional workshops with acclaimed and accomplished Australian Artists.
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In May this year, I was very excited to join Yvonne Langshaw in a two day workshop at Ku-ring-gai Art Centre in Roseville, NSW. The studio was light and airy with plenty of room for everyone to work comfortably. Tables and easels were all set up and ready for the workshop participants.
Abstract art is sometimes thought of as quite childish, and while parents in art galleries are sometimes heard to say 'my child could do that!'. Painting in an abstract form is surprisingly difficult. It requires a real understanding of colour, tone and line to be able to create the beautiful abstract art works that Yvonne Langshaw consistently produces.
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Vivienne and Ron
Recently I attended another highly enjoyable and productive McGregor Winter School at USQ in Toowoomba. This was my second Winter School, this time choosing to stay off campus, whereas last year, as a first timer, I lived in.
Having become enthusiastic about painting early last year, I set out to find some tuition to fast track my impatience to improve faster than I was progressing alone. I came across McGregor School's advertisement, which seemed like the perfect arts retreat. A whole week of painting and socialising with fellow artists and no cooking in sight!
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STURT workshop participant
I have attended more than eight summer schools and three winter schools at Sturt Craft College in Mittagong. They are always an intense, well-managed experience, where you can get obsessed by a new skill or even perfect an old one, in a friendly environment.
The venue, Frensham Girls School, in Mittagong, is beautiful in summer – sculpted gardens, white buildings and areas of bush as well as manicured gardens. Winter is cold for a Sydney-sider, but often quite sunny. Less than an hour and a half drive from Sydney, it feels like a lifetime away.
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David Lake - Last Light - White Cliffs 2009, oil on linen on Masonite, 41 x 51cmI was impressed with David Lake’s exhibition David Lake: Feet of Clay, at the Bathurst Regional Gallery - March to May. His interesting works full of light and extended horizons capture the big skies, mood and atmosphere of the Australian landscape. He has been inspired by the scorched earth and clear horizon lines of far west NSW, utilising this subject matter and transmuting it into works of art.
When I realised that he was running a workshop in Bathurst for one day, I joined the waiting list. Luckily I got in when someone cancelled out.
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Review by Barbara Tate-Asgill
Bathurst NSW is well known for its car racing but sadly not as well known for another event it
Alvaro Castagnethosts twice yearly on the campus of Sturt University, the Mitchell School of Arts Summer and Winter Artists Workshops.
What a truly delightful way to spend a week that is not only informative and a great learning curve but also a chance to meet really nice like minded people and have some fun as well.
It is especially good for those who love to paint and for one reason or another can never devote a whole week at a stretch without interruption.
I say paint because that’s what is covered in the majority of classes but that means all mediums and different methods within those mediums along with drawing and mixed media.
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